Archive for October, 2009

Shari-Anne Gibson: All Grown Up


Shari-Anne Gib­son smiles and delights. Pho­to­graph by Bran­don Gaukel.

Shari-Anne Gib­son is a newly wed. Buzzing around her new apart­ment she talks about love, mak­ing art, and the sim­ple life. The fall is the sea­son that marks new begin­nings: a new hus­band and her first solo show in Van­cou­ver. Now The Trees Have Grown Up is Gibson’s col­lec­tion of new paint­ings and draw­ings that rep­re­sent inno­cence, our rela­tion­ship with nature and an insight into the artist’s imag­i­na­tion. The work is char­ac­ter­is­tic of Gibson’s aes­thetic, which is the­mat­i­cally con­nected by a sense of inter­rupted innocence.

The 28-year-old painter said she gets “late night energy.” Since the start of the year, she has spent the evenings work­ing on this project. Her work came to an abrupt halt, how­ever when she was in a car acci­dent, which resulted in months in a neck brace. Tak­ing time off her “Joe job,” she spent the months cre­at­ing and plan­ning. She was forced to reflect and spend time with her art. The expe­ri­ence made her more involved with her art and more con­fi­dent about her work. When I joked about hav­ing a Frida Kahlo moment, she cor­rected me: “Less intense.”

Over tea, I asked Gib­son about her upcom­ing show and we watched the rain fall.

Sad Mag: Tell me about the title of the show. And the sig­nif­i­cance to the work?

Shari-Anne Gib­son: Now The Trees Have Grown Up is intended to make the view­ers think about trees as hav­ing sen­si­bil­i­ties, accu­mu­lat­ing expe­ri­ence, los­ing inno­cence. I want the trees in the pieces to be seen in a new way, and allow the frag­mented land­scapes to become per­sonal, per­haps reflect­ing the viewer in some way.

SM: Where were you trained and how long have you been painting?

SG: I stud­ied both at the Uni­ver­sity of the Fraser Val­ley and at the Ontario Col­lege of Art and Design where I received my BFA. I’ve always loved to draw and paint, so a long time.

SM: What do you think is miss­ing from Vancouver’s art scene today? Or do you feel it has a mighty strength?

SG: After liv­ing in Toronto, Van­cou­ver feels very photo-conceptual in con­trast, which I absolutely appre­ci­ate, how­ever I sense that real paint­ing is a lit­tle out of style here. But I know the tides are chang­ing as more painters are get­ting atten­tion and the MFA pro­gram at Emily Carr is gain­ing a national rep­u­ta­tion for its paint­ing program.

Shari-Anne in the stu­dio. Pho­to­graph by Bran­don Gaukel.

SM: Some of your favourite visual artists?

SG: Johan Creten, Janet Cardiff, Peter Doig, Laura Owens, Katja Strunz, Nan Goldin, Egon Schiele, Fra Angelico, Makiko Kudo.

SM: Where did you grab your inspi­ra­tion for this col­lec­tion of work?

SG: I love the nat­ural envi­ron­ment and also appre­ci­ate work that is psy­cho­log­i­cal and philo­soph­i­cal. I wanted to cre­ate spaces which inter­rupt our expe­ri­ence of nature, which play with our sense of per­cep­tion. I wanted to depict the nat­ural world in a way that reveals some­thing about our human experience.

SM:
What inspires you in your daily life?

SG: Col­ors. Pho­tog­ra­phy. Music. When peo­ple are free and com­fort­able with them­selves. One evening I went for a walk and a man was singing opera at the top of his voice while I was  strolling through his neigh­bor­hood. I love that.

SM:
After the show, plans? New work? Vacation?

SG: Oh! Right! There is life after the show! Ha ha. I am plan­ning to shift my prac­tice a lit­tle and focus on draw­ing for the rest of the year. It is some­thing I love and haven’t spent enough time with recently. My friend and I hope to start a daily blog together shar­ing our pieces. I also plan to go on hol­i­day in February…maybe to Iceland!

Shari-Anne Gibson’s online portfolio

Now The Trees Have Grown Up shows at Lit­tle Moun­tain Gallery

from Octo­ber 29th to Novem­ber 18th.

Open­ing recep­tion Thurs­day, Octo­ber 29, 7-10pm.

www.littlemountainstudios.ca

195 EAST 26th Avenue VANCOUVER B.C. V5V 2G8

RSVP for the opening.

Jeremy Jaud and the Art of the UBC

Out­side the SUB Art Gallery. Pho­to­graph by Bran­don Gaukel

Update [26 Octo­ber 2009]: Drip­py­town was can­celled last week. In place of the exhibit, the AMS Art Gallery has expertly put together VANIMAUX, which opens today:

VANIMAUX explores the Van­cou­ver ani­mal in its native envi­ron­ment draw­ing other sto­ries from six per­spec­tives. The con­tem­po­rary land­scape is unpacked by six [local emerg­ing] artists.

The show fea­tures Sad Mag con­trib­u­tors and fam­ily mem­bers Daniel Elstone, Kristina Fiedrich, Bran­don Gaukel, Tina Krueger, Judit Navratil, and Katie Stew­art. VANIMAUX fur­ther unpacks the idea of urban Van­cou­ver, wip­ing the Olympics sanc­tioned hype away and show­ing the beast for what it is.

VANIMAUX. AMS Art Gallery. 6000 Stu­dent Union Boule­vard. Exhibit open­ing Octo­ber 26, 2009, from 5–8 pm.

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Jeremy Jaud is nearly chok­ing on his words. His excited phrases are gun­ning through the empty gallery and splat­ter­ings upon impact. Jaud is the art com­mis­sioner of the Stu­dent Union Build­ing (SUB) Art Gallery at UBC.

Until recently, most UBC stu­dents knew the the SUB Art Gallery as the site of the annual poster sale. Today, the gallery is a fix­ture for art afi­ciona­dos in Vancouver’s scene, in major part because of Jaud. After meet­ing the gallery’s pre­vi­ous art com­mis­sioner in an Art His­tory sem­i­nar last spring, Jaud took over the posi­tion and over­saw dra­matic ren­o­va­tions over eight months. Jaud is all pas­sion and smiles as he shares what led him to this posi­tion. “I saw it as an oppor­tu­nity to bear all my skill sets on one direc­tion, hav­ing a back­ground in art his­tory, visual arts, bud­get­ing, man­age­ment, and vol­un­teer work.”

Last month, the new space was inau­gu­rated with the show “Vanci­tyscapes,” fea­tur­ing Mor­gan Dun­net, a local artist whose impres­sion­is­tic paint­ings reveal the city of Van­cou­ver in its sim­plest moments of glory—images you might recall from late night stum­bles through the rainy streets of Gas­town. The open­ing night of “Vanci­tyscapes” saw over two hun­dred vis­i­tors, many of them stu­dents, like myself, who had been on UBC’s cam­pus for years, never set foot in the space, but gushed at its rein­ven­tion. This was just the start of the gallery’s con­tin­u­ing cel­e­bra­tion of Van­cou­ver. Jaud, orig­i­nally from Yel­lowknife, is drawn to Vancouver’s new devel­op­ments and the sense of com­mu­nity it pro­vides. “Van­cou­ver is con­stantly chang­ing, it’s always in the moment, it’s infectious.”

Jaud envi­sions the the SUB Art Gallery as a win­dow on the land­scape of art to the Belkin Gallery, Museum of Anthro­pol­ogy, Koerner Library, and beyond cam­pus to the rest of Van­cou­ver. He dis­cusses the unique­ness of the gallery in its daily access to thou­sands of students—the future pow­er­houses of Vancouver—and its oppor­tu­nity to ini­ti­ate or fos­ter artis­tic inter­est within them.

The man him­self, Jeremy Jaud. Pho­to­graph by Bran­don Gaukel

At the end of this month, the gallery is host­ing an exten­sion of an exhi­bi­tion called “Drip­py­town: Van­cou­ver Life Through the Eyes of its Inde­pen­dent Artists” at the Rare Books and Spe­cial Col­lec­tions Library (RBSC) at UBC. The exhi­bi­tion show­cases the RBSC’s col­lec­tion of print comics cre­ated by Van­cou­ver artists, includ­ing Colin Upton and James Lawrence, whose work together on a cover for the comic “Drip­py­town” gave the exhi­bi­tion both its name and nar­ra­tive. “Drip­py­town” presents Van­cou­ver and its char­ac­ter­is­tic rain, gray skies, and sil­ver lin­ings, as seen through the eyes of six local artists using the comic medium. Like Van­cou­ver, the col­lec­tion seems dreary at first but is ulti­mately inspiring.

The exhi­bi­tion is made pos­si­ble by the coor­di­na­tion of sev­eral forces: stu­dents of UBC’s School of Library, Archival, and Infor­ma­tion Stud­ies pro­gram, RBSC staff, Francesca Marini — a pro­fes­sor within the depart­ment, the artists, and Jaud.

Says Jaud, “UBC has such a broad range of art pro­duc­ers and peo­ple already inter­ested in the arts; con­duits and reflec­tors. More bridges need to be built between these var­i­ous groups so that our ideas can be shared, our mes­sages can strengthen and access can blossom.”

The SUB Art Gallery is cur­rently show­ing “Trag­i­cally Res­cu­ing His Fam­ily From the Wreck­age of a Destroyed Sink­ing Bat­tle­ship”, works by Kevin Day, from Oct. 13th — Oct. 23rd.

398 - art gallery cards cityscapes

“Drip­py­town” shows at the SUB Art Gallery from Oct. 26th -  Nov. 3rd and at Rare Books and Spe­cial Col­lec­tions from    Oct. 23 — Jan. 31st.

–Rebecca Slaven for Sad Mag

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