Francesca Belcourt and Brittney Rand are the two women behind Mu, Vancouver’s dream pop chroniclers of youth. The duo has been gracing the city’s electronic scene with dreamy tunes for nearly three years. Their debut album, simply called Mu, explores the universal themes of growth and confusion that characterize the young adult experience. Their fresh new single, “Debauchery,” meanwhile, “addresses all that is depraved, magical, and tempestuous about the ‘in-between’ years and coming of age in an era obsessed with itself.” In anticipation of Mu’s new album, II, which will be released on Feburary 12, SAD Mag’s Meredyth Cole spoke with Belcourt and Rand about their music, their high school selves, and how emulating Drake can (sometimes) lead to success.
**Psst! Stay tuned (pun very much intended) for a special musical surprise at the end of this interview.**
SAD Mag: Tell me what you were like in high school. Did you and Brittney know each other?
Francesca Belcourt: In high school I acted pretty similarly to how I do now but in the body and mind of a hormonal teen. I found any chance I could to be making and playing music rather than doing any normal work, jumping onto any stage there was and was pretty blessed to be encouraged to do so by my peers. If creativity was not required in a class, I would generally be doing things like biking through the hallways in a liberated protest. (Generally speaking my teachers and classmates were pretty chill but I was still not a fan of authority or structure). Brittney and I didn’t know each other in school as she lived across the country. I think we would have gotten along though, she was a punk! Still is.
SM: Mu’s work seems to be rooted in the mood of adolescence and young adulthood. What is it about these ages that is so inspiring for you?
Brittney Rand: More than being rooted in adolescence and youth, I think it’s rooted in dissonance. The themes we often work within are rooted in the fragility that comes with hopefulness, and the complexity of freedom and change—which are both, of course, symptoms of youth and adolescence. We’re navigating and exploring the darkness of our own experiences, because change and growth can be very confusing. On the other hand, “learning adulthood” can be a very inspiring and enriching experience that provides us with the skills we require to find our independence and resilience. Of course, learning this almost always comes at the cost of some despair. It’s a kind of dance that I find to be mysterious and interesting to document creatively.
SM: Pop music has always been a genre of music aimed at adolescents. What did you listen to when you were in high school? Did these tastes shape your sound now?
BR: I grew up obsessed with pop culture, but so isolated! I grew up in a rural highway town in northern Ontario, with limited access toTV, etc. At that time, stations like The Box and MTV could still be listened to, but not viewed, on satellite—unless you paid for the channel. We found out that you could tape down the “cancel” button on the remote and get around that…so we’d tape music videos to VHS any chance we got. It was really exciting to feel like we were being invited into what the rest of the world was doing.
I was into everything I saw in music videos—rap, pop, soul, grunge, folk, rock, R&B. But, when I was a teenager I was heavily influenced—and shaped by—my love for punk music. I think I’ve always been in love with pop music, but at some point or another pop music always reaches a crux for me; it either speaks or doesn’t speak to me. I find it fun to take something very poppy and nostalgic, and stretch it out to see how far it can go away from its expected direction before it’s nearly not pop. I like borrowing from the mainstream, almost mocking it, and then embracing it and playing with it. It’s kind of nice that we’re in a new pop landscape [and] that we can have both our exploration and depth, but also our fun.
SM: What advice would you give to young musicians trying to break into the scene in Vancouver?
FB: I moved to Van when I was 18 with my high school sweetheart. I had no idea where to go, I just knew I wanted to play music and that I couldn’t do that on Cortes Island or in Campbell River. So I played anything, anywhere, with anyone. Folk concerts, hip hop shows, I sang with electronic producers. Experiencing as much as I could in every scene I discovered lead me to meet Brittney at the Waldorf Hotel right at the time I was starting to really know my own music. It’s a small city, it takes a bit of time, but my advice would be to run ‘round à la Drizzy. If it feels wrong where you are turn around and try a new way.
As SAD Mag puts together the finishing touches on our upcoming High School issue, who better to make a custom mixtape for our readers than Mu. Featuring an exclusive cover of “Running up that hill,” this 12-song mix is a perfect evocation of those high school nights that seem to last forever, and the youthful moments that feel so significant. School dances, make out sessions, and joyrides: the things that are silly and so profound at 16, times that take on the quality of an anthem in our memories. Enjoy.
1) Mu — Running Up That Hill (Kate Bush Cover)
2) Pumarosa — Priestess
3) Suicide — Dream Baby Dream
4) Majical Cloudz — Downtown
5) Okay Kaya — Damn, Gravity
6) Brian Eno — Deep Blue Day
7) Cindy Lee — Prayer of Baphomet
8) Cocteau Twins — Pearly Dewdrops’ Drops
9) Jenny Hval — Why This?
10) Lydia Ainsworth — Malachite
11) Miley Cyrus — Lighter
12) The Cranberries — Dreams