Review: Refuge

Review: Refuge

“Refuge does the important work of highlighting the uncertainty and suffering that comes with certain types of global circumstance and mobility. The piece was humorous and touching, entertaining in it's own right, but it also solicited from its audience a deeper empathy than perhaps many of us are comfortable getting in touch with. It is vulnerable to open oneself to the hardships that others cannot avoid, to become invested in outcomes over which we have little overall control—but it is worthwhile.”

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Review: The Daisy Theatre

Review: The Daisy Theatre

The search for an entirely unique theatrical experience is a worthy one, and we just may have found it in Ronnie Burkett's The Daisy Theatre, marionette masterpiece and musical delight. “The true value of any performance comes after the audience has been convinced to buy a ticket and show up; it’s how they feel in the moments after the lights fill the stage. I know instantly that I’m in good hands—literally—with Burkett.”

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In Conversation with Barbara Chirinos

In Conversation with Barbara Chirinos

Writer Paloma Pacheco speaks with the inimitable Barbara Chirinos, programmer of the Black History Month film series at Vancity Theatre, and touches on the vitality of film as story-telling medium and the importance of diverse experience in art. “What I try to do with all Black History events is to promote them in the broader community. It is very important for the black community to show up because we need to be reminded of what we’ve accomplished, to recognize all of the people that have made contributions, to see people who look like us and to be reminded: We are worthy, we are fantastic, and we contribute to society.”

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Review: Cuisine & Confessions

Review: Cuisine & Confessions

The final demonstration was a gleeful and downright genius romp through flour. Clad in black, several of the female contortionists danced and leapt through clouds of flour: every child’s dream. Cuisine & Confessions was an exquisite performance that called the audience to listen to their stomachs and in turn, connect with themselves and the people around them.

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Review: Norah Sadava and Amy Nostbakken’s Mouthpiece

Review: Norah Sadava and Amy Nostbakken’s Mouthpiece

I was not prepared for the intuitive, almost instinctual wash of familiarity as I watched Mouthpiece. Admittedly, I'm sometimes intimidated by contemporary theatre because I'm afraid I won't “get it”, but this show was so profoundly relatable because of it's unique use of sound, physicality, and artful allusions to overwhelmingly intricate themes. Never before have I wanted to stand up from my seat and yell, “Yes! That's exactly it! The feeling of being hot and itchy and hate-filled because you feel wrong in everything you're wearing - that's what it looks like!”

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