xʷən̓iwən ce:p kʷθəθ nəw̓eyəł: Manuel Axel Strain’s multimedia exhibit remembers teachings from ancestors and the land

xʷən̓iwən ce:p kʷθəθ nəw̓eyəł: Manuel Axel Strain’s multimedia exhibit remembers teachings from ancestors and the land

The soft aroma of Devil’s Club drifted through the air. A mixture of Indigenous flowers, juniper, sage and cedar dusted the ground, remnants from the opening of Manuel Axel Strain’s solo exhibition at the Richmond Art Gallery (RAG), titled xʷən̓iwən ce:p kʷθəθ nəw̓eyəł ((((Remember your teachings)))), which opened on September 13 and runs until November 9, 2025.

Around the gallery hang large photographs of natural and urban settings interwoven with clouds, trees, and waters, punctuated by pictograms in bold, vibrant colours. At the centre of the gallery stands the exhibition’s focal point: a physical re-interpretation of a traditional longhouse. 

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Release and Relief in Stand-up Comedy: Interview with Jackie Hoffart from Killjoy Comedy Season 2

Release and Relief in Stand-up Comedy: Interview with Jackie Hoffart from Killjoy Comedy Season 2

Vancouver director Shana Myara’s docuseries Killjoy Comedy about the future of comedy returns for a second season July 25 on OUTtv. 

This season will follow 5 stand-up queer and/or racialized comics and one improv duo who are challenging the narrow lens of traditional comedy. Interweaving footage from live performances with intimate interviews, Myara’s series showcases the comedians doing their thing on stage while delving into thoughtful stories behind the bits. What brings someone to comedy? And why does it matter that they’re here?

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Cirrus asks what it means to be an artist in a world of machines

Cirrus asks what it means to be an artist in a world of machines

screeching container ports, fairy armadillos, advantageous appendages…


Coming in from a bright sunny afternoon, I am temporarily blinded upon entering the Western Front’s dim gallery. Somewhat ironically, I have to rely on my other senses to locate the leather-covered bench facing the two-channel video installation of Cirrus (2025) by Holly Márie Parnell. The work by the Irish-Canadian filmmaker takes its name from slender appendages used by animals to navigate without sight—like moles, who use cirrus to traverse subsurface landscapes.

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Sell Out, A Series: 5 Questions with Joy Gyamfi

Sell Out, A Series: 5 Questions with Joy Gyamfi

Sell Out is a series by interdisciplinary artist Angela Fama (she/they), who co-creates conversations with individual artists across Vancouver. Questioning ideas of artistry, identity, “day jobs,” and how they intertwine, Fama settles in with each artist (at a local café of their choice) and asks the same series of questions. With one roll of medium format film, Fama captures portraits of the artist after their conversations.

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What Keeps The Art(ists) Alive?: Reflections on Play It Loud! and Creating Art in Vancouver

What Keeps The Art(ists) Alive?: Reflections on Play It Loud! and Creating Art in Vancouver

In the Vancouver spoken word scene, Johnny Trinh, Vancouver Poetry House artistic director, is well known for reminding poets and audiences that “it takes a community to raise an artist.” As a veteran of many poetry shows in Vancouver and throughout the country, I have had many opportunities to ruminate on the meaning of this phrase; in particular, its invocation of the collective as the inherent foundation by which a poet, or any type of artist, nurtures the sort of self and worldly awareness that makes artistry viable and valuable. I am also reminded of author and cultural critic bell hooks’ assertion: “I think that part of what a culture of domination has done is raise that romantic relationship up as the single most important bond, when of course the single most important bond is that of community.”

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Dreaming as Resistance in Ghinwa Yassine’s “Seeing Double”

Dreaming as Resistance in Ghinwa Yassine’s “Seeing Double”

I arrive at Morrow carrying the fatigue and pain of a long day spent in my chronically ill body. The winter sun has already set and the lights are turned low. As meditation music plays in the background–a gentle massage for my ears–I tiptoe my way through a maze of potted plants and lamps, familiar to looking for a seat in a friend’s living room. There is a bed at the front of the room, adding to this cozy, home-like feeling; a dip in its middle echoes the weight of past bodies held in its embrace. Though it is technically “on stage,” the bed marks clearly that this space is not just a performance venue, but rather is being re-imagined as a home, or perhaps even a sanctuary. 

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Sell Out, A Series: 5 Questions with Kevin Jesuino

Sell Out, A Series: 5 Questions with Kevin Jesuino

Sell Out is a series by interdisciplinary artist Angela Fama (she/they), who co-creates conversations with individual artists across Vancouver. Questioning ideas of artistry, identity, “day jobs,” and how they intertwine, Fama settles in with each artist (at a local café of their choice) and asks the same series of questions. With one roll of medium format film, Fama captures portraits of the artist after their conversations.

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Moving For Love & Backbone: Brandon Wint’s Exploration of the Body and Jazz

Moving For Love & Backbone: Brandon Wint’s Exploration of the Body and Jazz

“In my twenties, love was the only word I knew”, confesses filmmaker Brandon Wint in his documentary, Moving For Love (2024). The heartbeat of his work; Vancouver-based filmmaker and poet navigates the complexity of Black identity, the intersections of disability & race, and community-making in Vancouver through the lens of love.

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