Perfect Match: Falling for Vancouver's First Romance Themed Bookstore

Perfect Match: Falling for Vancouver's First Romance Themed Bookstore

I paced outside, my feet keeping in time with the fast paced rhythm of my heavily beating heart. I was sweating. From nerves or from the intensity of the sun’s kiss, I couldn’t tell. I knew that everything I was looking for patiently waited on the other side of the door. Blind dates were always nerve-racking, but this one felt different. I could feel it in my toes, in the soft blush creeping across my newly flushed cheeks.

Inside, the air shifted. The light was soft and welcoming, the walls a dusty rose. I let out a long breathe and stepped over the threshold. On the north wall I spotted what I had been searching for. I picked up Bury Our Bones in the Midnight Soil by V.E. Schwab. This was my blind date, suggested by a good friend, long-awaited and finally in my hands. The weight of the pages felt good, solid in my hands, a perfect fit. A perfect match. 

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Release and Relief in Stand-up Comedy: Interview with Jackie Hoffart from Killjoy Comedy Season 2

Release and Relief in Stand-up Comedy: Interview with Jackie Hoffart from Killjoy Comedy Season 2

Vancouver director Shana Myara’s docuseries Killjoy Comedy about the future of comedy returns for a second season July 25 on OUTtv. 

This season will follow 5 stand-up queer and/or racialized comics and one improv duo who are challenging the narrow lens of traditional comedy. Interweaving footage from live performances with intimate interviews, Myara’s series showcases the comedians doing their thing on stage while delving into thoughtful stories behind the bits. What brings someone to comedy? And why does it matter that they’re here?

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Mood Swing (July 17, 2025)

Mood Swing (July 17, 2025)

Hi friends! Thanks for checking out another edition of Mood Swing, Vancouver’s least-cringe and most-insightful weekly event roundup. Did you know that trying new things releases dopamine in our brains? We all have enough to stress about, so this week, why not try something guaranteed to release some of those feel-good chemicals? Read on to find a new art medium to practice, gallery to visit or stage to step onto.

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Cirrus asks what it means to be an artist in a world of machines

Cirrus asks what it means to be an artist in a world of machines

screeching container ports, fairy armadillos, advantageous appendages…


Coming in from a bright sunny afternoon, I am temporarily blinded upon entering the Western Front’s dim gallery. Somewhat ironically, I have to rely on my other senses to locate the leather-covered bench facing the two-channel video installation of Cirrus (2025) by Holly Márie Parnell. The work by the Irish-Canadian filmmaker takes its name from slender appendages used by animals to navigate without sight—like moles, who use cirrus to traverse subsurface landscapes.

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No Comfort in Community: Loneliness and Fanaticism in Liz Cairn's Inedia

No Comfort in Community: Loneliness and Fanaticism in Liz Cairn's Inedia

“Hunger is a wound of desire.”

Decreed by the seemingly harmless guru of a commune nourished by the sun, this statement sets the tone for a film that hungers for connection, yet centers characters that can’t help but seek it in the wrong place. Immediately, the warm and intimate feel of Liz Cairn’s film is set in stark contrast with the uncanny music and ominous narration, creating a sense of unease that doesn’t quite leave you, even when a false sense of comfort permeates the commune and its members.

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Solarpunk Zine Making as a Ritual of Grief

Solarpunk Zine Making as a Ritual of Grief

I’m hunched over a folding table at Enabling Arts. Marker ink on my first zine spread is still wet; it mingles with the deep-fried scent drifting off the Jollibee chicken and fries I’ve saved for later. Snip, snip—someone’s scissors keep a heartbeat beside me. On the page, I’ve written: i feel guilty while others suffer in quiet rooms. but grief and joy can live together after Lapu Lapu Day. Zine making, I’m learning, is a space where comfort and agitation coexist.

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Moving For Love & Backbone: Brandon Wint’s Exploration of the Body and Jazz

Moving For Love & Backbone: Brandon Wint’s Exploration of the Body and Jazz

“In my twenties, love was the only word I knew”, confesses filmmaker Brandon Wint in his documentary, Moving For Love (2024). The heartbeat of his work; Vancouver-based filmmaker and poet navigates the complexity of Black identity, the intersections of disability & race, and community-making in Vancouver through the lens of love.

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Walking the Garden with Asia Jong

Walking the Garden with Asia Jong

Asia Jong is a curator who has flowered roots in Chinatown. For the first two years after she moved here, she never left. Her work feels like a love letter to this place. As a diasporic Chinese settler herself, Asia is attuned to the nuances of this deeply political, ever-changing community. At the core of her curatorial practice is people – and a way of being in relation that is as malleable, dynamic, and fluid as water. Her earlier works invite audiences to thoughtfully create relations to Chinatown, sending you searching for the color gold down Pender St, or offering cheap date ideas in Chinatown that are tenderly allusive to the intimacies of her own memories. 

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