In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Read MoreIn this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.
Blue Heron director and guest curator or VIFF's "Leading Lights" series, Sophy Romvari, sits down with SAD Mag to discuss the series, her reflections on Blue Heron and the unique powers of film as an art form.
October’s astrology forecast invites us into the shadows, asking us to sit with uncomfortable emotions and face the darker sides of our relationships. Now is the time to reflect deeply, embrace solitude and emerge with a better understanding of ourselves.
Doretta Lau’s debut novel We Are Underlings pulls no punches with its takedown of hypercapitalist corporations and the class dynamics of workers, managers and executives within a corporate structure, nor with its exploration of the meaning of life and death under late-stage capitalism. At the centre of the novel is Zita Chang, an associate marketing manager at the Nine Circles, a theme park devoted to death and the afterlife, whose coworkers begin turning up dead just weeks before the park’s grand opening.
