LIVE Biennale: Praba Pilar's "The NO!!!Bot"

LIVE Biennale: Praba Pilar's "The NO!!!Bot"

"Performance art is unpredictable and ephemeral, which makes it entirely an experience and a kind of art that falls flat when reproduced on Instagram stories or social PR strategies. The truth is, entering the space for performance art is daring; it’s consensual to receiving, witnessing, and participating in an experience impossible to experience once more. The experience could be anything.

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Review: 1 Hour Photo

Review: 1 Hour Photo

“My years of writing school and traditional ideas about theatre come barging in; when is the performance going to start? When will the curtains draw and the acting begin? I soon realize that this isn’t a red velvet curtain masquerade. I’m not here to see a re-enactment, neither am I here to witness a reproduction of memories. I’m here to see how Tetsuro interprets, responds to, and shares [a] fascinating life... in real time.”

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Interview: Jordan Abel

Interview: Jordan Abel

I was drawn to the western for a few reasons. One: it’s a genre that very often seems to represent Indigenous peoples in problematic, stereotypical ways. Two: there are thousands of western novels that are now in the public domain, but it is also a genre that is still very much alive today. Three: many North Americans have a deep and troubling nostalgia for the genre (which is also often intertwined with a kind of romanticizing of colonization that could also been seen as a romanticizing of Indigenous genocide).

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