Living in HOpe: Talking Mental Health with Melanie Wood
/“Every time I do a film, I come away being a better person myself. We need to accept that we aren’t always so accepting, and try to change that.”
Read More“Every time I do a film, I come away being a better person myself. We need to accept that we aren’t always so accepting, and try to change that.”
Read MoreThe short film can hone in on one horrific note and carry it until its breaking point.
Read More“It’s all about bridging the gap, about humanizing stories and allowing people to feel connected with people that they feel at odds with, that they feel different from, maybe a little bit afraid of as well.”
Read More“A journey through decolonization, and into Indigenous Futurism, where the land’s future is a cyclic return to its past […] The experience was eight minutes long, and yet its imagining of a different future and the poignancy of the message had an effect that many could not have if they took hours.”
Read MoreThe horrors of ANTHROPOCENE are very real, but so are the glimmers of hope. We are, as the filmmakers insist, all implicated, but we are also capable of enacting positive change.
Read MoreThe Museum of Forgotten Triumphs is both sharply specific to the Bosnian experience and universal in its themes, making it impressively versatile and a necessary film to watch. Something in the film will speak to you.
Read More“I got really into the idea of witnessing what landscape can tell us about human history, and how people have utilized, abused, or taken the land they live on for granted.”
Read MoreSarah Davidson works between drawing and painting to investigate the interconnected organisms of the natural world. She holds a BFA from Emily Carr, and is currently earning an MFA from the University of Guelph.
Web Editor Sarah chatted with Sarah Davidson about the conversation between science and art, plant cognition, and some killer book recommendations. Enjoy!
Read MoreIn Experiments in a Failed Repair, an art exhibition that deconstructs and decolonises the monumentalisation of violence, Ghinwa Yassine challenges viewers to confront human violence through the rubble and remains of homes destroyed by war—and to imagine the lives that once existed within them.
Writer Brett Nelson reviews 'The Effect,' the latest production from The Cultch that explores the chemical nature of love and grapples with depression.
In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.
Blue Heron director and guest curator or VIFF's "Leading Lights" series, Sophy Romvari, sits down with SAD Mag to discuss the series, her reflections on Blue Heron and the unique powers of film as an art form.