“Here, take this. All of our information is in there. Dates, times, email address, suggested bible verses, all that.” The homeless man grunted as he made another attempt to stand. The woman smiled, patiently holding the pamphlet in front of his face as he collapsed back to his knees."
Read MoreThere wasn’t much to it. No grand display. It wasn’t like a, “hey look at me, I’m going down,” type of thing. He just fell, and even though he was unconscious before he hit the ground, the way he collapsed seemed so deliberate.
Read MoreIn Experiments in a Failed Repair, an art exhibition that deconstructs and decolonises the monumentalisation of violence, Ghinwa Yassine challenges viewers to confront human violence through the rubble and remains of homes destroyed by war—and to imagine the lives that once existed within them.
Writer Brett Nelson reviews 'The Effect,' the latest production from The Cultch that explores the chemical nature of love and grapples with depression.
In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.
Blue Heron director and guest curator or VIFF's "Leading Lights" series, Sophy Romvari, sits down with SAD Mag to discuss the series, her reflections on Blue Heron and the unique powers of film as an art form.
