What disappointed me most is that the show didn’t live up to its promises of being alternative or subversive. I appreciated the diversity of body types and skin colour but aside from that the show lacked anything radical. Much of what took place happened in the name of subverting the status quo for laughs.
Read More"I started it as a place to showcase the girls I thought were the most beautiful in the world—the girls with piercings and tattoos, girls who chose to commit social suicide by choosing not to fit in."
Read MoreIn Experiments in a Failed Repair, an art exhibition that deconstructs and decolonises the monumentalisation of violence, Ghinwa Yassine challenges viewers to confront human violence through the rubble and remains of homes destroyed by war—and to imagine the lives that once existed within them.
Writer Brett Nelson reviews 'The Effect,' the latest production from The Cultch that explores the chemical nature of love and grapples with depression.
In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.
Blue Heron director and guest curator or VIFF's "Leading Lights" series, Sophy Romvari, sits down with SAD Mag to discuss the series, her reflections on Blue Heron and the unique powers of film as an art form.
