Waiting for the Beach: Public performance art mocks climate complacency
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The public performance art titled Waiting for the Beach #rising #sealevels is an ironic gesture of waiting to get our tan on while the world burns.
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10 Years of Tears: Gay in the Suburbs
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Can LGBT families settle outside the downtown core, in areas where the density of queer individuals ebbs with the density of other human beings? Is the rainbow-coloured picket fence possible, and if it is, what are its implications for the LGBT community at large?
Read MoreVisual Inspection - Matt Rader
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Sometimes searching for something guarantees you’ll never find it. Sometimes what you are looking for obscures what it is you find in your search; you have to see not what you’re looking for but what is there.
Read MoreBlank/NASSIM: “It's like solving a puzzle."
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“It's like solving a puzzle,” said Soleimanpour. “It's not easy, but at least you don't get lost.”
Read MoreLittle Volcano: Mount St. Hille in Autobiographical Performance
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“I do think if you hit upon the right way to tell a story, people just hear their own stories in it.”
Read MoreDead People's Things: the complexities of leaving things behind
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Deveau’s piece explores death in a rippling way, illustrating the surprising interconnectedness of varying human experiences.
Read MoreBefore I Was a Critic I Was a Human Being: Amy Fung on Identity and Writing
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“Where do you stand? How did you get here? Do we want to repeat history or do we actually want to shift it and be aware of what's happening?”
Read More10 Years of Tears: Ghosts in the Serene: Tree Poaching and Life in the Greenest City
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This is the story of how an 800-year-old, two-and-a-half-meter wide red cedar— one of the oldest and largest of the ancient giants found in Vancouver Island’s Carmanah Walbran Provincial Park— was illegally harvested. Poached.
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