Reconciliation & Transformation in Luke Parnell’s debut exhibition Indigenous History in Colour

Reconciliation & Transformation in Luke Parnell’s debut exhibition Indigenous History in Colour

Haida and Nisga’a carver and artist Luke Parnell explores oral histories, reconciliation, and conceptual art in his latest exhibition at the Bill Reid Gallery. In what marks his first exhibition at the Bill Reid Gallery, Parnell features 7 unique conceptual art pieces, including a still image from his film Remediation, an ethnographic response to Bill Reid’s 1959 documentary about an expedition to salvage historic totem poles from a deserted village on Haida Gwaii.

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Meet October’s Featured Artist: Lindsey Hampton 

Meet October’s Featured Artist: Lindsey Hampton 

For this artist, graphic design came first, and ceramics came later. Lindsey Hampton took up a six-week ceramics course as a hobby, and what started as “just something to do” evolved into a business selling ceramics both online and through local and international stockists such as Vancouver Special, Easy Tiger Goods (Toronto), and Coming Soon (New York City). 

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Meet September's Featured Artist: Alina Senchenko

Meet September's Featured Artist: Alina Senchenko

“My practice is really trying to de-stereotype Ukraine and Eastern European countries. I try to look at a different point of Ukrainian life and society and try to breakdown structures. A lot of photographers from the West go to any Third World country and look at it with an exploitative gaze. There are people trying to live their lives in these places. It always made me mad to see this type of artwork.”

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VLAFF’s Commitment to Accountability: Curating for Diverse Audiences

VLAFF’s Commitment to Accountability: Curating for Diverse Audiences

“From VLAFF as a whole, I hope people take away that we as a festival, are a work-in-progress. I don’t want to perpetuate the assumption as a Latinx organization that it’s smooth sailing in any sort of way. We are very different people in our team, we don’t all hold one particular political perspective. In a way, the films we present are a lens into our conversations, differences, and similarities.”

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