10 Years of Tears: Downward Job
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“As a left-and right-brained ambivert, I can be all things to all people, and that’s what makes me the perfect candidate to lead and blend into your digital team.”
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Waiting for the Beach: Public performance art mocks climate complacency
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The public performance art titled Waiting for the Beach #rising #sealevels is an ironic gesture of waiting to get our tan on while the world burns.
Read More10 Years of Tears: Gay in the Suburbs
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Can LGBT families settle outside the downtown core, in areas where the density of queer individuals ebbs with the density of other human beings? Is the rainbow-coloured picket fence possible, and if it is, what are its implications for the LGBT community at large?
Read MoreVisual Inspection - Matt Rader
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Sometimes searching for something guarantees you’ll never find it. Sometimes what you are looking for obscures what it is you find in your search; you have to see not what you’re looking for but what is there.
Read MoreBlank/NASSIM: “It's like solving a puzzle."
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“It's like solving a puzzle,” said Soleimanpour. “It's not easy, but at least you don't get lost.”
Read MoreLittle Volcano: Mount St. Hille in Autobiographical Performance
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“I do think if you hit upon the right way to tell a story, people just hear their own stories in it.”
Read MoreDead People's Things: the complexities of leaving things behind
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Deveau’s piece explores death in a rippling way, illustrating the surprising interconnectedness of varying human experiences.
Read MoreBefore I Was a Critic I Was a Human Being: Amy Fung on Identity and Writing
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“Where do you stand? How did you get here? Do we want to repeat history or do we actually want to shift it and be aware of what's happening?”
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