Review: Dragging Piaf at QAF
/"It’s watching someone hit the self-destruct button with a big smile, or watching someone smile while they cry. Breakdowns are supposed to be unavoidable, but not enjoyed. "
Read More"It’s watching someone hit the self-destruct button with a big smile, or watching someone smile while they cry. Breakdowns are supposed to be unavoidable, but not enjoyed. "
Read More"But underneath the larger story is a cast of humans who become as enduring, emotional, and intimate to the audience as beloved characters in a novel. We learn about two gay twin brothers who lost the support of their parents, who in song form become two violins in empath-esq conversation. We learn about Chan’s support of a close friend’s suicide, which in song becomes a long drawn out note that ends, followed by the sound of a ambulance."
Read More1960’s North America meets Elizabethan England in The Merry Wives of Windsor at Bard on the Beach. First mounted in 2012, the Shakespearean play is back in full swing: part theatre, part musical, The Merry Wives of Windsor has been touted as enjoyable for anyone, regardless of prior knowledge or fandom for the undying playwright.
Read MoreSAD Mag ventured over to the Roundhouse Community Arts & Recreation Centre to engage with local talent and expression, all thanks to this year's Queer Arts Festival and the Pride in Art Visual Arts Show. It was a treat, to say the least!
Read MoreThere wasn’t much to it. No grand display. It wasn’t like a, “hey look at me, I’m going down,” type of thing. He just fell, and even though he was unconscious before he hit the ground, the way he collapsed seemed so deliberate.
Read More"Last month the Cinematheque put on an event dedicated to Kelly Reichardt’s movies, a director who, after I’d heard so many small bursts of praise, was starting to take on a mythic image in my mind. I knew her as the director who scouted 39 states before choosing the exact Walgreens parking lot she wanted for her scene, who trekked across the Oregon desert for a movie, who made big independent movies but slept on friends’ couches to live, an outsider who made movies about outsiders."
Read MoreWay back when, for our Mad Mad World issue (no. 12), we sent some disposable cameras with a few friends and local musicians while they traveled the world. You may have spotted a few snaps in the Movement issue, and starting now you'll be able to find the rest here, in the Disposable Camera Series.
Read MoreIn advance of what is sure to be a sensory delight for nostalgic spectators, SAD Mag's Helen Wong spoke with artist Anna MacLellan about Welcome Home, a mixed media installation which opens for viewing June 17, 2016 at Untitled Art Space.
Read MoreLeah Nelson and Sarah Leavitt shows us the labour of love, loss, and life in striking film Tangles at the Vancouver International Film Festival 2026.
In Experiments in a Failed Repair, an art exhibition that deconstructs and decolonises the monumentalisation of violence, Ghinwa Yassine challenges viewers to confront human violence through the rubble and remains of homes destroyed by war—and to imagine the lives that once existed within them.
Writer Brett Nelson reviews 'The Effect,' the latest production from The Cultch that explores the chemical nature of love and grapples with depression.
In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.