Playwright Jenn Griffin skillfully uses comedy to camouflage Vancouver’s dire housing crisis in a satire that will have audiences rooting for invasive rodents by the end.
Read MoreIt’s that time again! The newest issue of SAD is here and it’s dedicated to all things FUTURE! Join us to celebrate with beer, music, art and magazines. The launch will double as an art show featuring the work of select SAD artists featured in the issue.
Read MoreIn this feature article from SAD Issue No. 28, FUTURE, author Sarah Bakke explores the transformative and liminal utopias that surround us.
Read MoreAn interview with Giorgi, a local musician on the come up, about her EP Big Fat Baby.
Read MoreAnd just like that, 2019’s door swings shut. It’s closing time! Just before we lock up for the holidays, here’s one last Featured Artist mix. Enjoy!
Read MoreWarren Sulatycky’s first feature film, April in Autumn, is a quiet yet captivating slice of life. It draws you in slowly and subconsciously— so relatable that you don’t even realize you’re falling in love with it. Instead, it feels like the film is falling in love with you.
Read MoreMichael Love is a photo-based artist living in Vancouver. His career spans decades and continents, where he has documented and explored the repurposing of spaces in relation to history. He is particularly interested in military history and the impacts of the Cold War.
Read MoreLeah Nelson and Sarah Leavitt shows us the labour of love, loss, and life in striking film Tangles at the Vancouver International Film Festival 2026.
In Experiments in a Failed Repair, an art exhibition that deconstructs and decolonises the monumentalisation of violence, Ghinwa Yassine challenges viewers to confront human violence through the rubble and remains of homes destroyed by war—and to imagine the lives that once existed within them.
Writer Brett Nelson reviews 'The Effect,' the latest production from The Cultch that explores the chemical nature of love and grapples with depression.
In this review of Frequencies: A Novel, Sophie Ganic’s debut, we explore a chilling blend of dystopian science fiction and feminist horror. Set in the aftermath of a deadly global outbreak, the novel examines isolation, psychological unraveling and past trauma.
Jill Goranson and Kelsi James presents Burn Blue, a multidisciplinary performance, at the 2026 Vancouver Fringe Festival, exploring water, memory, migration and colonisation, and the meaning of home through dance, music, poetry, and puppetry.
